Anglican Church," he muttered. "You nearly never go to church anyway -- your church is the moors, your priest is your dog, your God is -- I don't know what. The wind.
Anybody who's been reading this blog for more than ten minutes knows how much I freaking love Tim Powers. He was the first author I ever put on the Automatic Buy list, long before I realized I even had such a thing.
But because he was the first and was, for a long time, the only, I still collect him in hardcover. Which is a format which I read with increasing difficulty as the years go by.
So while I was running around screaming like a little kid on Christmas Eve waiting for Powers' latest, My Brother's Keeper, to come out, had pre-ordered it the moment that was possible, I'm only now, almost a year later, finished reading it.
I beg you, do not take that as any kind of commentary on its quality, anymore than you should take its dirt-common title or its cover blurb from, of all people, Orson Scott Card.*
Because My Brother's Keeper is Tim Powers' tensest and creepiest read since he invented his own micro-genre of literary historical weird fiction (which lesser mortals have failed to duplicate. Cough. Seth Grahame-Smith. Cough) with The Stress of Her Regard, to which he returns here, not with a sequel like the serviceable but not exceptional Hide Me Among the Graves, but a true spiritual successor, pitting the Brönte sisters, their hapless brother and their Yorkshire parson father against a family of sort-of werewolves. I say "sort of" because these are werewolves in the way that the lamiae of Stress/Hide Me are vampires. This is still Tim Powers, an OG chaos magician of literature, the kind of guy who says "what if these classic monsters but both cooler and more sorrowful?"
And yes, of course there is a very Heathcliff-esque character striding the moors with Emily Brönte and her gigantic bull mastiff, Keeper (who is one of the best dog characters I've encountered in recent years and within recent years I read Jeffrey Ford's Well-Built City trilogy. Keeper ranks up there with Wood!), but he is not an inspiration for Heathcliff; the Emily of My Brother's Keeper already has a completed manuscript of Wuthering Heights in her writing case, has indeed been tempted by her brother, Branwell, to meet the wonderfully sinister and perfectly named villain, Mrs. Flensing, by suggestions that Mrs. Flensing has publishing connections in London.
No, Powers just lets Alcuin Curzon, the "one-eyed Catholic" whom Emily and Keeper rescue one day, serve as a sort of unremarked-upon slant-rhyme to Heathcliff, the better to enlarge the imaginative power of she whom Emily Dickinson named "Gigantic Emily Brönte" by his presence, instead of diminishing her by creating a lame figure for her creation to be based on.
I like it.
Honestly, I haven't been this excited by a Tim Powers novel since the very first time I read Last Call. Do not snooze on this one, or I'll let Mrs. Flensing get you.
*Just, remember that we liked Card once, and he wrote some good books before he started milking his IP dry.
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