The rest of the crowd booed. Not so much at Maholtz as the implications of the anticlimax he and I had just provided them. To see an oppressor felled without a hint of violent struggle can’t help but tarnish the shine on your victim badge. To see Maholtz made to cower so easily had to make those who would have otherwise cheered wonder how they, for so long, could have cowered so readily before him. They were booing themselves.
If Michael Pemulis, the very best character in Infinite Jest who is neither in drag nor in a wheelchair, were about five years younger and a student at a Chicago area day school instead of a Boston area tennis academy, he would be Gurion ben-Judah Macabee, the criminally, the messianically precocious hero of Adam Levin's big honking fiction chonk, The Instructions. Except instead of a tennis racket, our boy is packing a weapon of his own devising called a penny gun, and a pocketful of tiny metal wing nuts.
And a brain, an insight into humanity, and an advanced understanding of ethics that would shame any of the Incandenza family, would probably shame a Dostoevsky character.
I was as charmed by its depictions of actually healthy and loving family dynamics as fascinated by its eternal school day themes of intra- and inter-clique politics, petty and serious rebellion, unjustly wielded authority, unbearable boredom, grandiose plans for the future, philosophical speculations both juvenile and profound, concerns earthly and spiritual and, of course, young love.
But what young love it is:
Above all, June and I were in love. I wanted reassurance because she’d gotten winked at, but it wasn’t her fault that she’d gotten winked at. It was Berman’s fault. He shouldn’t have winked. He shouldn’t have gotten me wanting reassurance. Especially because there could be no reassurance. That’s what was chomsky. To think that a hand-squeeze would reassure was chomsky. Had June squeezed my hand, I wouldn’t feel reassured; I’d only wonder why she thought I wanted reassurance. I’d worry that she thought I wanted reassurance because Berman’s wink was, in fact, worth worrying about. = If June had squeezed my hand, I’d want more reassurance. And I saw it was good that she hadn’t squeezed my hand. Which isn’t to say I stopped wanting reassurance, but that all at once I saw what needed doing, not to me or for me, but by me: I had to tell Berman not to wink at my girlfriend. Had he not been an Israelite, I’d’ve thought of that sooner, gone straight to confrontation. Instead of burning sweaty seconds lamely sorting useless feelings, I’d have risen to my feet and said, Don’t you fucken wink at her.
A big thinker as well as an over-thinker is Gurion ben-Judah Maccabee, who is already infamous when he first shows up for classes in a new middle school, where his prior record of fights and rebellion lands him immediately in the school's special disciplinary unit called The Cage, in which every student is confined to an individual carrel and is closely monitored by a beady-eyed Australian disciplinarian with a name, Botha, that I associate with South African apartheid (I'm sure not accidentally am I so reminded). He doesn't teach, doesn't do anything but watch the students like a hawk and enforce the Cage's infinitely long list of behavioral standards while other teachers nervously present lessons to around 30 fifth through seventh graders, which Gurion is, I think, the only fifth grader by age but, as compensation for his immediate entry to The Cage, the school also agreed to honor his prior promotion to seventh grade on account of his intellect.
Classic, this.
But so, Gurion is very, very concerned about justice (and his father is a renowned civil rights attorney), about studying the Torah and about promoting the welfare of his co-religionists to whom he refers as Israelites rather than as being Jewish students. One of his many acts prior to his advent at his current school was to invent a punk little weapon constructed from the top of a plastic soda bottle and a rubber band, and to write out minutely detailed instructions on its construction and use, as well as to design a strict ritual for how this knowledge is to be taught and disseminated., starting with: Only to Israelites. His goal is to arm every Israelite boy in Greater Chicago and beyond with a weapon easily broken down into disposable trash, but capable of launching a small projectile (he uses a penny and calls it, thus, the Pennygun, but we encounter a sort of co-inventor who came up with the same device independently but uses it to fire fountain pen nibs and thus calls it the Pengun). This weapon has achieved a mythic status among devotees of The Instructions as evident from this YouTube clip explaining it.
Gurion also has a loftier project going on than merely helping young Jewish boys to defend themselves from antisemites and school bullies, however; he has been drafting for some time a work he fully expects will one day be regarded as scripture. And many of his former schoolmates, forbidden though they are by their parents from associating with him ever again, consider him a wise leader and teacher, even to calling him Rabbi, and agree that his writings will indeed become scripture. Two of whom, we learn, have even served as translators, necessary because Gurion chose to write about half of the original in Hebrew.
So is this book a very long marriage of The Books of Jacob and Heathers? Certainly more so than it is a descendant of Infinite Jest, for all that I invoked that book at the start of this post. Gurion does feel a bit like Pemulus, but differs vastly from that yachtsman-capped mischief-maker in that, for starters, the closest he ever comes to mind-altering substances is a cigarette or two he is deftly manipulated into sharing with the school's Golden Boy as Golden Boy seeks to co-opt Gurion's growing authority as an outcast leader. Which Gurion only figures out later, but don't you worry. Everybody gets their due in this massive work. Justice is served, like revenge, a bit cold... Or maybe not so cold?
For, on top of everything else, we find that author Adam Levin can write the best kind of action scenes, in which every shot, punch, kick, launch and thwack is clearly delineated, precisely described, but the pace is never allowed to lag. I say this as someone who often skips long flight scenes because I find them boring. But I mean...
By my side, on his knees again, Desormie gripped my face by the jaw and started squeezing. I bonked him with the megaphone. He squeezed unfazed. I got the bell to his ear and flipped on the siren. He threw himself backwards and I started getting up, but my hurt wrist kept folding beneath my weight and Desormie returned and he kicked me in the stomach.
The above is even better if you know who Desormie is. Neener.
And this, from a special sub-plot we can call the Revenge of the Band Kids, in which Levin shows us the weapon in everything:
Their brass scarred from teeth and their padcups askew, the bandkids were blitzing in squads of fours and fives, walking through the mini-riots, mowing down anyone. Cymbalists alternated neckchops with headclaps. Flautists pulled their flutes apart for double-fisted piking. Tubas and euphoniums remained strapped to players who held them under-arm to ram with like jousters. Splinters poked from fractures in oboes used for skullshots. The buttons jammed forever on trumpets gone knuckleduster.
Which is to say that, at heart, The Instructions is a war story at least in as much as the famous Pillow Fort vs Blanket Fort episode of Community was. Well, except instead of blankets and pillows we have actual blows exchanged and projectile pennies, wing nuts and pen nibs fired by Gurion's small army, the Side of Damage (and their junior auxiliaries, Big Ending and The Five, which, get ready for those five scene-stealing Best Buddies**) at their foes, the Arrangement. What, you thought that cover art was symbolic? This is middle school.
But so, my readers may well ask, is this a tale that really needs so many hundreds of pages to tell? Oh, yes. But are they really so satisfying, those pages? Also yes.
And I haven't even gotten around to all of the terrific character drama, the terrific characters, like Gurion's brand shiny new girlfriend, the fierce and fiery and newly-converting-for-his-sake June Watermark. And his best friend Benji Nakamook. And the one they call Brooklyn, as newly arrived as Gurion with even more dramatic a back story, with whom Gurion bonds immediately and who challenges him in ways Gurion usually only experiences with adults. If it weren't for the buddies of The Five, Brooklyn would be my favorite character in the book.
And there are so many more. By the novel's climatic combat scene, the reader knows most of the Side very well, has watched a few of them fall in love (mutually!) and others learn for the first time that they have power. Usually for the better. Usually.
And yes, like so many books I'm reading now, this one seems to be more important to the present moment than to the one in which it was written, for all that it is a tale that could only take place then (2007), could only feature characters born just before 9/11 and raised doing active shooter drills in school. More than ever I am convinced that the Zoomers, largely the children of my own Generation X, are fundamentally different beings from those of us who remember not having to take off their shoes in public in order to board a plane and when phones were fastened to walls and History supposedly had an End, in whichever way you choose to define that word. Theirs is a fundamentally different world and they are prepared to live in an even stranger one.
Too, lots of us have been promulgating the "gonna tell my grandkids" meme for years. What if they were to believe us? Because they don't really care? Because they have real problems, but have also at least solved the problem of what to do with all of those pennies lying around everywhere. It's a better idea than CoinStar or whatever.
We damage we.
All great books command re-reading, but you can’t ever read the same book twice. Knowing, as you do, from the second reading forward, that A will lead to B, to Y to Z, your post-first readings are far more concerned with what exactly happens between those events, far more concerned with those parts you scanned (or even skipped) the first go-round in your rush to discover what would happen next.
Yeah, that's pretty much Gurion, and by extension, Adam Levin, equating their own book with the other great ones. But here's the thing: it is their equal. And I'm already looking forward to reading it again. I underappreciated some of these kids the first time. Including, possibly, Gurion himself!
Damn.
*My nickname at Bard among my soon-to-be dining companions for four years of mealtime shenanigans was "Blond and Blue" as in "Uh oh, Blond and Blue is giving me shit" -- at least until one way discovered that my name rhymes with a famous Dinah Shore ditty that serves as the theme song to, coincidentally, the movie "Heathers" thus guaranteeing me four years of hearing my name sung out loudly and not very tunefully before every meal I ate in Kline Commons. I was a member of an all-gentile cast of the Purim play one year, though...
**I've quoted too much from the climax, but I have to add just one snippet of The Five in action:
The Five were fine too; didn’t need coverage either. Bored with Shlomo, who no longer convulsed, and glimpsing Eliyahu between heads and shoulders, they gamboled toward the south wall, the better to see, a capering troop that undermined its native cuteness shooting mystified kids in the eyes at close range, stepping on crotches and faces on purpose, vociferating multiple Yiddish vulgarities.
These are little guys, maybe ten years old (like Gurion himself, actually, which is part of why, maybe, he takes them seriously where others would pat them on the heads and imagine them in propeller beanies), who have already had enough of bullying but quickly learned that if they can count on each other, they count. And since one of their number got pasted in the halls earlier in the week, they have their own little vendetta against the aforementioned Shlomo, who forfeited his Israelite status when he picked on the shrimp in order to commit a hate crime by proxy. And I mean, one of them even gets to rescue a cheerleader from a groper, with masterful fifth-grade aplomb. Egads, these kids are the greatest!
