Wednesday, January 5, 2022

Clark Thomas Carlton's THE GHOST ANTS OF GRYLLADESH

It's been a while since I had a new "Antasy" to enjoy -- though it's rather bittersweet to be doing so right after we lost the great E.O. Wilson -- but at long last Clark Thomas Carlton has come through with the third in his bizarre and delightful series that began with Prophets of the Ghost Ants and continued in The Prophet of the Termite God. When I first encountered these books, I described them as "Dune with ant-riders" but as we move into this third novel it has so much more in common with George R.R. Martin's big unfinished fantasy series that this could almost be called "A Feast for Ant-Crows" or some such. Except, you know, not horrifyingly repetitive.

It is, however, as grim as AFfC for much of it. We'll leave aside for the moment some questionable tactics in this continuation of our boy Anand's quest to save the people he persuaded into a new way of life way back in the first novel (I guess there's neither a Security Council nor any Geneva Conventions in his world) because they are employed defensively (but make for rough reading if you're at all sensitive to things like biological or chemical warfare because trigger warning if you are); those aside this is still the darkest view of this world, in which humans have evolved into near-microscopic creatures who ride ants like horses (see cover art) and have entered into more-or-less symbiotic relationships with many other insects despite most of those insects being much larger than humans are, that we've yet seen.

We get a somewhat bewildering array of new and returning POV characters who, I guarentee, will send you scurrying back to the helpful dramatis personae at book's beginning just to keep straight*.  They all have very intense adventures once again as the world of the Antasy reels from the wars fought in prior novels, only to find itself embroiled in new conflicts as forces held down or blocked by the evil Hulkrite Empire are now free to seek revenge, conquer lost territory, and wreak general havoc on Anand and his forces -- and on the civilians who have been caught in the middle of it all.

Like in GRRM's opus, we get the perspectives of people on all sides of the conflict(s), including a refugee princess (Trelanna) who finally, after three novels, garners reader sympathy (she suffered plenty in the prior novels, but elicited schadenfreude rather than pity or sorrow, at least from this reader), not by enacting a redemption arc so much as just really becoming abject and pitiful as she gets swept up in an invading army's progress to attack her homeland and has a forced marriage to its leader to look forward to once her unborn children (by Anand!) are got rid of, one way or the other. Did I mention that The Ghost Ants of Grylladesh is grim? The Ghost Ants of Grylladesh is grim.

Of course, Trellana's mother Polexima, who joined with Anand in establishing a new nation based on freedom, tolerance, and an abandonment of her native land's absurdly rigid hierarchy, in previous novels, had it even worse and bore up much better, never wavering in her commitment to the new way even when hamstrung and hobbled and repeatedly raped by the terrifying army Anand defeated in the second book, so feeling for Trellana only goes so far.

Then there's Anand's cousin-I-think Terraclon, elevated last novel to what amounts to the pope of the religion devoted to Goddess Ant Queen and the series' sole LGBTQA+ representation (unless we count [REDACTED] the non-POV character who becomes his lover by this novel's end), who has pretty much held Anand's forces together while Anand has hared off on weird mission after weird mission on the back of a high-flying locust. Pleckoo, the main villain of the last two novels, gets a quick cameo but is basically fridged, while a new royal lady, Fewlenray has quite an arc of her own while, in one of the things I like best about Clark Thomas Carlton's work (besides the arthopods, of course), several villains get point of view chapters that win, if not our sympathy, at least our empathy as their plans clash with Anand's, assuring that no matter how this ends, somebody we've come to love, like a little, or at least respect, is going to be brought low and we'll cry along with them at least a little bit -- recalling that arch-villain Pleckoo started out his Antastic life as Anand's best friend and cousin, after all...

But the novel is still very much about Anand, whose character deepens and becomes yet more complicated as circumstances and his own shortcomings tempt him into atrocities of his own. He is still that poor nobody from the midden at heart, and while his time among the freedom-loving Dranverites taught him a lot and gave him the courage to share what he learned with his former society, he still reacts at times like that scared and bullied young man, even as he also copes with the fact that both of his very pregnant wives are captives of the very hostile nations who threaten his co-creation of Bee-jor. He becomes a little less lovable but a whole lot more believable in this book, does Anand. Would you have made different choices? Could you have thought of better solutions to his problems?

The novel ends on even more cliffhangers than did The Prophet of the Termite God, so I sure do hope CTC doesn't take our least favorite page out of GRRM's book. Write fast and stay healthy, Clark!

*Indeed, I dithered as I read over whether or not I should backtrack and read The Prophet of the Termite God again because for a lot of these characters, I was uncertain about whether they were completely new for the third novel, or just newly prominent and having emerged from the background of the previous two. I think I should have backtracked.

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