Showing posts with label revolution. Show all posts
Showing posts with label revolution. Show all posts

Friday, December 19, 2025

William T. Vollmann's YOU BRIGHT AND RISEN ANGELS

Oh, ants, my sisters, good old honeydew-seekers! From close up you are sticky and shiny and gristly; and your nymphs have parasitic red mites stuck to them. You are too intent upon your chewing and gathering to listen to me, but I tell you that despite my warm feelings I really do not like you, and I cannot feel sorry for you in any way because there are too many of you and you are not cute at all. You eat too much of my forests; you are a rebellious tribe, and I will destroy you; I will poison your nests with sweet-smelling traps.
Man, I've known of the existence of this book for decades. I had a vague idea of what it's about and that it was probably going to be something I would love, but I never came across it in a bookstore, back when it was new and a physical store selling physical books, or a public library, was the only way to get them, so I never picked it up for my personal collection or checked it out. Later on, online booksellers became a thing and I went bananas, just like everybody else did, but by then a lot of newer books were on my radar, and then e-books happened and then...

But really? I couldn't tell you why it took me so long to get around to You Bright and Risen Angels, apart from its still never turning up in any bookstores I've managed to hit when I've a bit to spend. And there not being an ebook or audio edition. And there being millions and millions of other books vying for my attention. 

Sigh.

But so, better late than never. And also, thank goodness for my having a few dozen high brodernist friends, many of whom are obsessed with Billy TV and his oeuvre, who selected his Europe Central as a book club read (which I loved and consider one of the best books I read this year, but I'm not ready to write about it yet and think I'm gonna read it again before I do)* and I was jolted into remembering that back in the 90s when I was temping my way around the Greater Boston area (so many bookstores! But I never saw this in any of them. And anyway, Infinite Jest happened, etc.) I was kind of always on the lookout for this big chunk of literary speculative fiction about insects and revolution and hey, online booksellers still exist, and not all of them are avatars of pure evil...

So, anyway, You Bright and Risen Angels is finally in my life. And, as I often but don't always say, it feels like it was written just for me. Well, except for all the gun stuff. There's a fair amount of gun stuff. Which isn't really for me, but I'll put up with it if an author makes it worth my doing so. 

Billy TV sure did! Though he also kind of tricked me in some pretty inventive ways, like providing a rather untrustworthy, though vividly descriptive, table of contents. As such.

This book was written by a traitor to his class. It is dedicated to bigots everywhere. Ladies and gentlemen of the black shirts, I call upon you to unite, to strike with claws and kitchen pokers, to burn the grub-worms of equality’s brood with sulfur and oil, to huddle together whispering about the silverfish in your basements, to make decrees in your great solemn rotten assemblies concerning what is proper, for you have nothing to lose but your last feeble principles.
I'm coming to dislike the phrase "late-stage capitalism" almost as much as I do all the Underpants Gnome-ish fantasizing about the neo-Nuremberg Trials that are surely just around the corner for the current crop of bigoted,  authoritarian oppressors who have come to power in so much of the world. Both memes presuppose that these regimes so obviously carry the seeds of their own destruction that it's just a waiting game for the rest of us; we don't really have to do anything. We certainly don't have to get nasty or violent. We just have to keep the popcorn ready for when the imaginary good guys who are going to swoop in and save us show up and clean house, like they did in World War II. Except somehow, we all seem to think that we're gonna get to skip the war part this time? Or at least that somebody else is going to do the arduous stuff? But on what basis do we think that?

Anyway, YBARA is an elaborate, baroque and challenging allegory of what it's most likely really going to feel like when everybody's finally had enough of the manipulations and empty promises of our current socio-economic systems that keep everyone too scared or hopeless or indoctrinated to be be willing to even imagine a slightly better world anymore. Couched as a giant revenge plot of bugs against bug zappers. 

But that sounds a bit dry and no-fun, doesn't it? But see, those are two things this book ain't, especially if you like weird shit like giant, freakishly long-lived anthropomorphic insects who have teamed up with their more conventionally sized and life-spanned brethren to fight back against human domination and destruction; like sentient agglomerations of electricity that, for their part, seek to preserve the status quo except with themselves in charge instead of stupid humans; like a handful of sinister, immortal oligarchs who both embody the status quo and believe the aforementioned agglomerations of sentient electricity are actually their willing servants and weapons; like a tiny cadre of passionate revolutionaries who were already ready to take matters into their own hands and fight, despite their paltry numbers, and then accept surprise offers of tactical, strategic and actual support from the very gnats that ordinarily would be tormenting them in swarms in their secret lair above the Arctic Circle!

Oh and there's also another oligarch, shadowy, sinister and remote, manipulating affairs from his base of operations on Mars? And a secret race of plant-people who can dramatically alter their own biochemistry to incorporate some industrial products and by-products to give themselves really weird superpowers like remote viewing via developing photographic film at a touch? I mean, you can't say Billy TV is unimaginative. 

All of this is related to us, by the way, by an unreliable narrator who seems to at least *believe* he is the last human survivor of the resulting conflict, who in his loneliness has programmed an elaborate computer simulation** depicting "resurrected" versions of all of the important actors in the scenario (helpfully listed for us with notes on their interrelationships and alignments in a Dramatis Personae at the beginning of the book right before its wild and rather fanciful table of contents). As he boots up his system for the latest iteration of the game, he addresses the personality constructs inhabiting it as his "Bright and Risen Angels" with a melancholy air. But is he really a lone survivor wistfully reliving the actual past of the narrative, or just a frustrated Infocom employee? Heh.

And it is because of this that YBARA often gets categorized as proto-cyberpunk. As this is really barely just a frame narrative, though, I think so promoting it is a mistake. You're not going to see any console cowboys, expensive razorgirls, or Rastafarian satellite-dwellers here,  but nor are you going to get the funky, vaguely creepy pseudo-biopunk of, say, Bruce Sterling's more interesting offerings, or the intensely insect-focused action of "antasy" works like Clark Thomas Carlton's output to date,  which I must confess to having vaguely hoped for back in the early days of my knowing this book exists.

I am by no means disappointed by what I got, for all that it does not even contain what the second half of the table of contents suggests that it will. Because what it's actually in these pages is fascinating in its own right, with its alternate history of the industrialization of the United States, its vision of cryptoterrestrials (again, rather before even most fringe communities were even really talking about certain phenomena in those terms) and its depiction of how rebels are made, not born. This is that rarity of rarities, a genuinely unique book, and one I'm profoundly glad to have finally gotten to read.

Interestingly enough, I seem to have stumbled into what feels awfully like a spiritual sequel to YBARA. Stay tuned right here to find out what it is. 

By the way, I think there's going to be a lot more Billy TV content on this blog in the new year, but don't worry: I'm pretty sure this one is still going to prove to be unique, because this guy's restless intelligence and creativity have legendarily led him never to write the same, or even the similar, book twice. Dayum!

*Yes, I'm in a book club now, at long last, halfway through my sixth decade on this warming, dessicating planet. 

**Recall that this book was first published in 1987, when most high schools in the U.S. boasted, at most, a few Apple IIes awkwardly situated in the library for a handful of nerds to play typing games on. Oregon Trail was still in the unimaginable future for most of us who weren't in the industry or attending a handful of schools adjacent to it. But guess who was working in the industry as a programmer back then? Billy TV!

Wednesday, February 2, 2022

Peter Watts' THE FREEZE-FRAME REVOLUTION

I love generation spaceship stories, but perhaps even more so I love the idea that a crew, using whatever science-fantastical suspended animation technology combined with science-fantastical light-speed or faster travel, can live for centuries, millennia, or, in this case, spans of time that make geologic time seem like the blink of a may-fly's eye. Especially when they're written by masters like Alastair Reynolds, or, in this case, Peter Watts.

In The Freeze-Frame Revolution, a genetically engineered offshoot of the human race called "Spores" that I can't help but compare to the nebbishes of T.J. Bass' Half-Past Human and The Godwhale (and perhaps prefigured by the early Genesis scorcher "Get 'Em Out by Friday") are on a galaxy-spanning mission to build "gates" so that the rest of humanity doesn't have to spend thousands of years in hibernation between work days, just to travel between stars. As the story opens, the Eriophora*, her A.I. pilot known as the Chimp, and a crew of 30,000 Spores have been on this mission for some six million years.

Our heroine, Sunday Ahzmundin, is wrapping up a shift awake with a few other members of her "tribe" (the designers of the mission having kept an idea similar to good old Dunbar's Number in mind while establishing its sociology) when one of them has a full-on mental and emotional breakdown, fixated on the idea that the mission for which they were bred has been a failure for all that thousands and thousands of gates have been built, because when was the last time they had any contact with any humans other than themselves? And also, sometimes, when a gate is brought online, various dangers lurk on its other side, ready to attack. Sunday gets her to settle down and get in her coffin and writes it off as something like Spaaaaace Madness (you coveteth my ice cream bar!) It's only after Sunday has been through another long sleep that she learns that her friend and crewmate who freaked out was awake during the only known attack on the ship that actually did damage. D'oh.

The rest of the story unfolds a few days at a time over the course of more millennia, as Sunday, who has always had a closer-than-usual relationship with The Chimp to the degree that Sunday gets awakened with greater frequency than pretty much anyone else when there's a problem The Chimp can't quite handle alone, starts piecing together enough unpleasant facts about the reality of their mission, its parameters, and how reliable The Chimp's memory and personality really are, to reach the conclusion that not only is an extremely slow-motion revolution absolutely necessary but has already been going on!

The conspiracy that unfolds/is constructed is the coolest thing about this very cool novella, as Sunday discovers the ingenous ways its members have developed to communicate with each other across the eons, and how some of them have managed to hide and stay awake to steer their plan through its final stages.

The audio book, as narrated by Emily Woo Zeller, carries an emotional wallop that I think it would be easy to miss in print. Zeller emotes all over the place; some have complained about this, but I think this adds a necessary depth and urgency to the characters/ predicament, so if you're going to check out this nifty little gem, I highly recommend doing so this way.

A devastating few hours of goodness await.

*A hollowed out asteroid straight outta Book of the Long Sun, iykwim. In fact, this is a lot like a condensed and more traditionally science fictional version of Book of the Long Sun!